Derouen

Saturday, February 16, 2008

Orthodontic Dental Insurance When The Kids Are Growing

If you have kids and have ever had to visit the orthodontist, you know the cost is astronomical. If you are lucky enough to have orthodontic dental insurance, you will still have to cover some of the costs yourself, but it sure does help. If you have the option on your insurance coverage to have this insurance, you should take it even if you think you will not need it. Things do happen and it is always good to have in case the kids ever need it or yourself in some cases.

Many different types of insurance provide coverage for braces and other orthodontic procedures. If you have the option on your employer based insurance or private insurance, you should consider having it added as a precautionary measure in case something arises. Also remember to see how much it pays and for what.

Understanding Orthodontic Dentistry

This type of dentistry involves the proper placement of teeth in the mouth along with jaw alignment as well as teeth alignment. If your teeth are crowded together or have spaces between them, the orthodontist will use metal braces to help straighten and evenly space the teeth. In more recent developments, the new fad that replaces braces is a clear mouthpiece that works just as well as braces, but does cost more and most insurances do not cover enough of the cost. They cover the portion of the cost related to metal braces and you have to pay the rest.

If your teeth do not receive the proper dental treatment, you might end up with some serious jaw problems as well as tooth decay from improper cleaning, which could lead to gum disease. Without the orthodontic dentistry, you could end up with undue stress and pain in the facial area as well as the neck and shoulders. Another thing orthodontic dental insurance provides through proper care from a professional is a better looking you in your smile, which if not corrected, some people experience low self esteem.

Understanding Orthodontic Dental Insurance

Because orthodontic dental procedures are considered cosmetic, most insurance policies do not cover this and you may need additional insurance to supplement this type of dental care. Many insurance companies are realizing the need for orthodontic dental insurance and we have seen an increase in policy changes that now include this coverage.

Depending on your type of coverage, you might have a higher deductible, but in the long run, you will save hundreds of dollars from days when no insurance of this type was offered and people paid for the entire expense out of their own pocket. This was a huge burden on bigger families and some children who need the care did not receive the care they needed. Insurance companies now have the coverage, which helps families who have children that need this type of dentistry. Although you will have to pay something out of pocket, you can still save even with the cost of the coverage. It is better to have the coverage than not too.

You can also find more info on Dental Insurance and Dental And Vision Insurance. Knowdentalinsurance.com is a comprehensive resource to know about Dental Insurance.



Advertising Schmadvertising!

Why 90% of todays ad campaigns are a total waste of money
How Madison Avenue sleight of hand turns savvy business people into drooling morons
The four things every ad MUST accomplish to be successful
A great opportunity for copywriters in a place youd never even THINK of looking
Much more!

Sometimes I wish I had gone into advertising instead of direct response marketing.

I can see myself nestled in a posh Madison Avenue corner office, hauling down six figures a year, creating beer-swilling frogs, taco-eating Chihuahuas and other madcap characters and of course, personally casting ads in which scantily clad babes with legs up to here and bushels of bouncing booty and boobage cavort in soapy slow motion!

I can see myself being worshipped as an advertising genius for this brilliant work getting huge bonuses and promotions winning armfuls of creative awards and getting my smiling face plastered all over the cover of Ad Age.

The best part? Knowing that nobody will ever ask the question, But do his ads work?

Unfortunately, I didnt take that route. Instead, I wound up in direct response marketing where every order and every penny generated by every ad, every direct mail package and every Internet campaign I create is carefully tracked.

Within a few weeks, days, or in the case of TV and Internet promotions a few hours, everybody knows whether Im a genius or a hack.

If my client puts $500,000 in the mail, he expects at least $500,000 in net sales back PLUS ten thousand or so new customers. If my copy does that for him, Im gold.

If not, Im a schmuck and if I ever tried to convince a client that my bomb of a promo enhanced his brand awareness or image, hed probably think Id lost my mind.

That means I dont have the luxury of sacrificing proven sales-boosting techniques in the name of creativity. Every promotion I create must accomplish all the things that are necessary to do in order to make the sale.

But most of the ad campaigns created by major ad agencies are NOT trackable. And that simple fact is now creating some of the worst advertising ever produced costing American consumers a freakin fortune and is at the root of what I am convinced is the greatest scam ever perpetrated in the corporate world

How Madison Avenues black magic turns brilliant CEOs into drooling morons
Imagine this: Youre the CEO of a major corporation in this case, a brewery.

As the CEO, your prime directive is quite simple: Your bosses the Board of Directors and your stockholders demand that every corporate dollar you spend produces a positive return on investment.

Youre good at what you do. By producing a superior product and pinching every nickel until the buffalo squirts, your company has become the most successful in its industry and your market share is still growing.

Then one day, a guy from a major New York ad agency shows up in your office. He has bad news for you.

Youre doing it all wrong, he says.
What do you mean? you ask.
Your advertising, he says. Your ads just drone on and on about how delicious and refreshing your beer is and how superior it is to everybody elses.
So whats wrong with that? you ask.
No frogs. the adman says.
Frogs?
Absolutely. Fat, ugly frogs on lily pads in the middle of a mosquito-infested swamp, all croaking your products name.
Will that sell more beer? you ask incredulously.

The Madison Avenue wizard waves his hand slowly before your eyes. You dont care if it sells more beer, he intones.

Your eyes glaze over and, in a trancelike voice, you mindlessly repeat after him: Sales not important

You can feel yourself slipping under his spell the Madison Avenue version of the Jedi Mind Trick but somehow, you marshal enough self-control to blurt out another question: But how will I know if these frog ads are a good investment?

Another wave from the adman: You wont know and you dont care.

Return meaningless dont care You hear the words coming out of your mouth involuntarily as if someone else a crazy person were saying them.

You gather every remaining ounce of strength to ask your final question: How much for the frogs?

The ad wizard waves again, this time a double whammy with both hands: You dont care how much it costs

The double whammy does the trick. You are completely under the wizards spell.

As you surrender, your eyeballs roll back in your head a drop of spittle appears at the corner of your mouth and you hear yourself chanting, Sales meaningless investment return meaningless profits meaningless just need frogs.

Next thing you know, you the Harvard MBA the hard-boiled businessman who fought his way to the top of the corporate ladder the CEO who, in every other area of business demands that every penny spent produces a trackable, measurable, positive return on investment

YOU are signing the check for a new $50 million ad campaign, complete with butt-ugly frogs.

Fooling All of the People, All of the Time
The next morning, you awake with a hangover and a severe case of buyers remorse.

Where are you going to find the courage to face the Board and tell them you just blew $50 million on an ad campaign and you have no way on Earth of knowing if that fifty mill was a brilliant investment or money down a rathole?

Well, you try to tell yourself, if sales go up, that means its working right?

Alas, you know better. You know that sales can rise for lots of reasons: Maybe its a heat wave in the South thats making people thirstier. Maybe its a major competitors distribution problems causing his customers to buy your products or maybe its just that his new ads sucked worse than yours did.

Heck for all you know, your sales would have gone even higher if you had been running your old ads or, for that matter, no ads at all! (Hey when Israeli doctors went on strike a few years ago, the national death rate declined: How do we know that the U.S. GDP wouldnt double if Madison Avenue went on strike?)

Of course, you reason, if sales go down, you can always blame everything but your ad campaign. Shoot: You could even claim that if it werent for those frogs, sales could have fallen even farther!

The fact is, since theres no way to track each purchase back to its source, you will never know if you made a good investment or not.

And therein lies your salvation.

Because nobody will ever know whether your $50 million decision was a good one or bad one not you, not the Board, and certainly not your stockholders!

Advertising is Never Having To Say, Im Sorry.
Do you think even for a minute that the slick admen and adwomen on Madison Avenue are oblivious to the fact that they are NOT being graded on the sales they produce?

Do you think most of them even care if they increase their clients sales and profits?

If you answered yes, to either question, please give me a call. Theres a nice bridge for sale not too far from my office!

If you need proof that much of the junk passing for advertising today is little more than a scam, grab a yellow pad and a pen turn on your TV and after each ad, answer these four questions:

1. Did the ad make me crave this kind of product?
2. Did the ad explain all the reasons why this brand is the only one I should consider?
3. Did the ad make me feel its urgent that I buy this product now or at least soon?
4. Do I have everything I need to know to make the purchase?
Ill be knock-me-down-with-a-feather AMAZED if 10% of the ads you see do all of the above.

And that means the poor schmucks who paid for the rest of the ads you see are being scammed bamboozled swindled played for chumps taken to the cleaners.

Ask a rational business owner, Why advertise? and he or she will say, To sell more products. I mean why else would a perfectly pragmatic business person voluntarily give money to an ad agency?

But if you ask an adman or adwoman the same question, youll get very different answers. One practitioner will explain that his job is to improve brand identification. Another will say shes an expert at enhancing brand image.

But ask the ad geeks why any business would want such a thing or to provide statistical proof that their image enhancing, name-recognition ads actually increase sales, and youre likely to get a blank stare.

Madison Avenue just doesnt get it
How silly can it really get? Heres a true story:

A few years ago, Nissan hired TBWA Chiat/Day and its creative director Lee Clow to create a series of commercials for its line of fine automobiles.

Clow presented the Nissan executives with some of the cutest, cleverest, most creative ads they had ever seen: Ads featuring toy action figures driving toy Nissan automobiles.

In one memorable commercial, a toy dinosaur dropped a toy soldier into a toy sports car. In another, a toy doll drove a Nissan out of a magazine ad and onto a real road.

As in my little flight of fantasy above, the ads were pure entertainment-as-advertising. Not a single word was said about the benefits Nissan automobiles offer or why Nissans are unique and therefore better than the competition. Nor did the ads suggest that viewers visit their local Nissan showroom or offer them any inducement for doing so.

No matter. The ads were creative and that was all that mattered. The Wall Street Journal called the campaign, ... by many measures, the most successful TV commercial of 1996. Both Time and Rolling Stone proclaimed it the best ad campaign of the year.

Creative Director Lee Clow was inducted into the Advertising Hall of Fame. The whole creative team was invited to appear on Oprah. Sony Pictures even made plans to turn the ads into a TV show series!

But there was just one teeeensy little problem:

As soon as the ads began running, Nissan sales CRATERED!

According to The Wall Street Journal, the month the toy ads debuted, Nissans sales fell 2.7%. The next month they fell 10.2% ... then 4.2% ... and then, 1.6%.

Meanwhile, the poor, unenlightened folks at Toyota Nissans chief competitor were still doing things the old-fashioned way: Trumpeting their products benefits ... driving home their Unique Selling Proposition ... positioning their products as head and shoulders above the competition that kind of boring un-creative stuff.

And while Nissan sales went down the crapper, Toyota was doing a land-office business.

With sales falling off the proverbial cliff, Nissan dealers pouted then complained and then went into open revolt.

The company was deluged with thousands of telephone calls and letters from livid dealers, demanding that the company junk Chiat/Days ads.

And thats when Creative Director and Advertising Hall-of-Famer Lee Clow uttered the single stupidest thing ever said by any adman, ever, in the history of the universe:

Thats car dealers. Theyre forever bitching about something ... There are always people that like to damn things that are new.

UNBELIEVABLE!
Clow clearly didnt give a flying fig about sales. As a creative genius an artiste he couldnt be bothered by something as crass as common commerce.

The fact that his ads were driving dealers to the brink of bankruptcy and forcing them to lay off good, loyal workers was meaningless to him. They were merely cretins, unable to appreciate the sheer genius of his creativity!

Fortunately, the folks at Nissan were a helluva lot smarter than the preening, self-obsessed Clow. They canceled the idiotic campaign and returned to old-fashioned ads emphasizing their cars features, benefits, USPs and positioning.

And sure enough as soon as Nissan tossed Clows brilliant, award-winning ads into the nearest trash can, the sales drought ended. Sales rebounded 10.7% in January and 15.5% in February.

The Wall Street Journal summed up the problem nicely:

Not long ago, the conventional wisdom on Madison Avenue held that advertising was all about giving people a compelling reason to buy a product. TBWA Chiat/Day believed advertising could have a different goal: to create flashy images for a client and turn the companys name into a household name.

There is just one justification for advertising: Sales! Sales! Sales! -- John W. Blake
Now, Id like to report that Madison Avenue learned its lesson and is avoiding the whole Advertising-as-Entertainment and Image-is-everything fraud like the plague.

Id like to tell you that these geniuses have learned what direct response pros have known for years: Benefits sell products. Reason Why copy sells products. Unique selling propositions sell products.

And most importantly, when creativity gets in the way of making a sale, its not creative; its just stupid.

But you watch TV. You read magazines and newspapers. And if I said something like that, youd know I was lying my keester off.

The most tragic part of all this is NOT the fact that incompetent ad agencies are taking a bunch of gullible Fortune 500 fat cats and their shareholders to the cleaners. Nor is it the fact that in the end, we consumers pay the price for their ignorance and arrogance in increased costs for every product we buy.

To me, the saddest part of all this is that the Madison Avenue misfits guilty of perpetrating this fraud are the rightful heirs of the greatest advertising geniuses the world has ever known.

The great men who created modern advertising who founded many of the agencies that now pollute our airwaves and our printed pages with this pap must be spinning in their graves! Giants like John E. Powers John E. Kennedy Albert Lasker Claude Hopkins John Caples Rosser Reeves David Ogilvy and others taught us that the ONLY reason to advertise is to increase sales and market share. And, they taught us that to accomplish its mission, advertising must at the very least

1. Create or intensify the consumers desire and sense of urgency to buy the product by driving home the tangible benefits it will bring to his or her life
2. Present compelling reasons why the product is unique and therefore superior to all others of its kind and therefore the only rational choice for the consumer to make, and
3. Provide a way for the prospect to purchase the product at the first opportunity either by ordering directly or by emblazoning the brand in the prospects consciousness so it will be his first choice when shopping.

I am absolutely convinced that if every advertiser insisted that his ads did these three things, the U.S. economy would double virtually overnight and it would do so without enlisting the services of a single frog.

Accountability is everything
Fortunately, not everyone who creates ad campaigns for major companies today is an idiot or a scoundrel. Some are actually pretty sharp and reasonably honest. And some are even interested in being held accountable for the success or failure of their ads. While the dumbest ads are growing dumber by the day, many advertisers are actually helping to offset this cumulative drop in Americas advertising IQ. Theyre doing it by using their creativity to find ways to scientifically measure the response to their ads. More and more are asking consumers to call a toll-free number or go on-line or adding some other trackability device to their advertising: Like coupons, contests, and more.

Of course, mainstream ad execs will tell you that their products are different. Creating measurable, trackable campaigns just isnt possible for the kinds of products they advertise. People buy their products in stores not over the phone, through direct mail or on the Internet.

Sorry thats just an excuse.

Prescription drugs have to be the worlds hardest products to track. A consumer sees the ad for a new anti-allergy pill and is told to ask his doctor about it. The doctor then has to prescribe the drug. The consumer then has the prescription filled. How in the heck do you track that? Impossible right?

Not when real creativity is applied!

For years, drug companies advertised their drugs simply by telling consumers to ask their doctors about them. But today, theyre asking consumers to dial a toll-free number to receive a full information kit on the condition the drug treats.

Instant accountability!

Lessons learned
1. Accountability counts: Sure life is easier when you dont have to own up to your mistakes. But thats a treacherous path that invariably leads to alcoholic frogs, toy Nissans, and billions of wasted advertising dollars each year.

Challenge yourself to find ways to scientifically track the effectiveness of every ad and every campaign you use. Its the only way to consistently improve your return-per-advertising dollar over time.

2. Make sure every ad makes four essential sales: Whether your ad campaigns are trackable and especially when theyre not, it is absolutely essential to make certain that every ad you pay for accomplishes four essential missions:

A. It must create or intensify your prospects desire for the type of product youre selling by presenting the benefits it will bring to his or her life
B. It must convince your prospect that the key benefits your product provides are unique and therefore unobtainable from any competing product
C. It must leave your prospect feeling that it is urgent to buy the product as soon as possible
D. It must compel your prospect to action to purchase your product at the earliest opportunity.
3. If youre a copywriter, recognize that there are truly enormous opportunities outside of the typical direct response marketing sphere.

Millions of small and medium-sized businesses trust their ad messaging to the account executives who sell them their local TV and radio time and print space. As a rule, these salespeople know very little about salesmanship and next to nothing about advertising.

Trusting media reps to create ad campaigns is kind of like putting a hungry rabbit in charge of security down at the carrot patch.

Applying what you know about persuasion and salesmanship in print can help any business multiply sales and profits. And taking a chunk of increased sales could make you a bundle!

Clayton Makepeace is a working direct response marketing consultant and copywriter who has helped his clients attract more than 3 million new customers quadruple their profits and rake in more than $1 billion in direct mail and internet sales. His daily e-letter, The Total Package, shares his proven response-boosting techniques with younger writers, business owners, and marketing pros. Find out more at http://www.makepeacetotalpackage.com



Drivers Acting Like Trout

One of the odd things certain drivers do is following another vehicle closely through an overtaking manoeuvre. Take any busy road, start to overtake, and chances are someone else will pull out to make it a team event. What stimulates this seems to be the response of a trout going after a fly, the same thing that makes a motorist want to overtake the car in front, even if they are moving at the same speed. This triggers another common behaviour, the driver of the car being passed speeding up to keep up with the person who passed them. The process can go on for a while, even to the point that if for some reason this person is forced to drop behind, they will come speeding up to resume station. It often requires a distraction to get rid of them, such as getting a couple of cars in between.

We do these things because we have done them often before and gotten away with them. The problem is that in terms of risk assessment, having done something a thousand times doesnt mean it was right, just that the person was lucky. This overtaking behaviour is both annoying and unsafe. I am not so lonely that I crave that kind of bonding, and it cuts out a lot of options in case of crisis. That could triggered by the lead car suffering a puncture, the engine stalling, a deer or dog in the road, or an alien spaceship landing. The point is that somewhere, as you are reading this, one of those things is happening, with the possible exception of the spaceship. It makes little sense to wander the highways in the blissful belief that nothing will go wrong.

In racing, we follow another driver closely partly to be able to pass, but largely to force that person into making a mistake. When the other driver is watching the mirrors too much, driving precision might suffer from the distraction. However, as anyone who has watched a race will realise, if the lead driver suddenly slows there is a fair chance of getting collected by those behind. Not much fun, and less so on the street. Recently on the news, there was a report of a two hundred car crash somewhere in the United States. That is an astonishing figure, but thirty car pileups seem fairly common. Getting caught in this would be as much fun as a train wreck.

Overtaking of any sort involves a degree of vulnerability, even on multi-lane roads. Doing the tandem pass on a two-lane road is the equivalent of standing in a valley between two mountains, during a snowstorm, and hoping there wont be an avalanche.

Alan Sidorov is an experienced automobile racer, development tester and automotive journalist. He has lived in five different countries, and travelled extensively beyond that. Alan runs Sidorov Advanced Driver Training, in Whistler, British Columbia. The website is http://www.spdt.ca

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Spoonman

I've always taken pride in having an open mind ...

So, when the invitation came to visit Uri Geller at his estate in the English countryside back in the summer of 1987, I couldn't pass the opportunity to personally experience the phenomenon he represents and/or channels.

Uri Geller has made a career out of being controversial. His claims of possessing paranormal talents have not necessarily polarized opinions as much as the outrageous outlets by which he seemingly prefers to display them. For example, Geller has, at one time or another, alleged to have:

- bent spoons and keys merely by concentrating on them,

- made a soccer ball move just before a Scottish penalty kick was taken during an international match against England, causing the shot to be missed and victory assured for the English,

- stopped the hands of time on Big Ben,

- advised families that messages from the dead would appear to them in symbolic acts,

- sent disorienting mental signals to KGB agents at the request of the CIA, and

- healed people's afflictions merely by being close to them.

Uri Geller was an Israeli paratrooper who fought in the Six-Day War and dabbled in modeling and a small-time magician's career before bursting onto the global oddity scene by apparently having access to a part of his brain that others didn't. He seemingly had the powers to move objects and sense thoughts and do them well enough that major media and, yes, even major governments took notice. Results may have been mixed --- the CIA, interestingly, doesn't comment either way about their contact with Geller --- but they all served to perpetuate his fame (or notoriety, according to the skeptics).

When we approached his mansion, there was no doubting that his exhibitions, books, television appearances and hobnobbing with politicos and celebrities had allowed him to amass considerable wealth. Geller met us in the foyer, immediately conveying the impression that he may be a shameless self-promoter in public, but at home, he was a gracious host. This was a social call, so he was casually dressed, soft-spoken and totally unpretentious. I couldn't say that for the furniture in his drawing room, however, as the matching sofa, chairs and coffee table were composed of huge glass-shards held together by metal spines. They were more artwork than furniture, and I was quite glad we settled in the kitchen instead.

Inevitably, our conversation broached the topic of Geller's talents. He asked if I wanted to see them for myself and, after receiving the obvious response, he pulled a spoon from the utensil drawer and gave it to me to inspect. I can attest that it was a normal, everyday spoon; I tried to flex it and confirmed that its malleability was what one would expect from a common spoon.

Geller took it, kept it in clear view, and began to rub the stem in short, quick strokes from his index finger. Before my eyes, the spoon's business end began a perpendicular rise, as if awakening from a nap. When it had formed a 90-degree angle, Geller stopped rubbing and handed me the spoon again. I felt the bent segment of the stem for signs of heat, but there was none. I checked to see if the tensile strength had been diminished, but it had not.

He really did it.

Geller then asked me to pull any spoon from the drawer and he'd do it again. I noticed that they were made of sterling silver --- ie- a normal metal --- and wondered how many he'd buy during the course of a year. Meanwhile, he repeated the feat. The only factor I noticed that could have possibly come into play was that Geller made sure he was standing in the same place both times. There was a metal radiator very close to him, but I have no idea if that played any role in the result.

He then gave me a small notebook and pen and asked me to draw something simple. He stood away and there was no chance he could see what I did. As this was summer, I opted for something totally opposite from the season and sketched a Christmas tree with a star on top. I then closed the notebook and told him I was finished.

Geller reached for a totally separate piece of paper and pen. He sat at the table, thought for a moment and began to draw. He briefly stared at me and then returned to his task. It only took another minute for him to announce he was done. He put down his pen and held up his drawing.

It was a Christmas tree, with a star on top.

I was impressed. I almost wished I had something he could heal.

I could not resist asking one off-the-wall question. I knew a prominent shipbuilding family in Spain who had access to the records of many galleons which disappeared on return voyages from the New World. Many of them were laden with gold. Had Geller ever been asked to 'divine' for precious metals underwater?

He didn't bat an eye. "No," he replied, "But I don't know why I couldn't."

He pulled a book from a nearby shelf and opened it to a section of photographs in the middle. The topic was Uri Geller. The photos were allegedly taken with a sensitivity that exceeded the spectrum of light. There seemed to be a 'cloud' between Geller's head and a small object of his concentration, such as a ball. The inference was that his mental projection was being physically 'captured' on film, joining his mind with the matter on which he was focused.

I ultimately did report to the Spanish magnates what I had seen and what I suggested. They were more than interested. One of their scions promised to get back to me, and he did, but somewhere during the course of our days, the momentum to pursue such a project faded.

I did pay closer attention to Uri Geller in the next few years. The two displays I witnessed were clearly his top talents; I read accounts of similar feats from others who had met him. However, Geller wasn't as successful when he attempted to expand his range. For instance, he bought a soccer team, Exeter, and said he'd keep his mind off the pitch. I guess he did, as they were relegated to a lower division under his chairmanship.

Allegedly, Geller did later claim to avail his services to oil and gold companies. He said he got results, but that nobody wanted to disclose he was the secret to their success. He's since written a number of books --- some of the holistic tomes are actually quite logical and devoid of anything paranormal --- and continues to enjoy the company of celebrities.

I have no idea about his talents beyond what I saw. I am convinced that what I witnessed was authentic. My lingering thought is what Geller's displays to me could portend for the human condition. It's a fact that 90% of our cerebrum's utility is yet to be understood. Did all of us really have the powers of telekinesis and telepathy?

Those are deep thoughts, and I'm certainly open to further suggestions. In the meantime, if I ever come across shipping records which list a cargo of golden spoons lost at sea, I know who I'm going to call.

Copyright 2006 The Longer Life Group

J Square Humboldt is the featured columnist at the Longer Life website, which is dedicated to providing information, strategies, analysis and commentary designed to improve the quality of living. His page can be found at http://longerlifegroup.com/cyberiter.html and his observations are published three times per week.

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